Barbara Probst: A moment in space

Using a radio-controlled release system, Barbara Probst triggers simultaneous shots of the same event, gesture or action from different distances and angles. This moment multiplied into several views constitutes an exposure, a constellation of perspectives that induces multifaceted, sometimes contradictory readings of the image. Barbara Probst is not interested so much in what is represented as in the way it is represented. Using gestures, faces and objects that are as neutral as possible, she minimises the narrative character of each view and seeks a more open, more ambiguous rendering. She has always been intrigued by the 1960s writers and filmmakers who broke with classical narrative, like Alain Robbe-Grillet and Jean-Luc Godard. “Their way of storytelling was to go against the expectations of the reader or viewer by creating cracks and gaps in the story or by unexpectedly changing the perspective. They treated the narrative not unlike a cubist painter treated space…”
(Diane Dufour, Frédéric Paul, LE BAL)